All in Photography
How do you connect with your creative self? Sometimes it can feel like you’re always chasing elusive butterflies, trying to make works that you love and that resonate. Spending time regularly with your materials means ideas are more likely to suggest themselves. But it might take stubborn doggedness to keep going.
Success is when your next project springboards off the work you’re currently making. After resolving the niggling doubts that your work would never quite ‘make the grade’, you can pause to look back on what you have achieved. Then it’s time to ‘move the goalposts’ and make new work that propels you forward again.
Adapt, experiment and survive. That’s my motto, especially when it comes to artist residencies where the unforeseen can completely derail your best laid plans. Getting sick when away from home can be very debilitating. Yet it can also give you the impetus to adapt and experiment, abandoning all measure of control, sometimes with surprising results.
Experimentation is about taking risks. Pursuing a train of thought and organising the steps to get there gives you a better chance of success, even allowing for some ‘failures’ along the way. My blueprint for success is to plan, execute then let go of any expectations. It ‘s how I can adapt and improvise when at an artist residency.
Like Alice discovering wonderland, I have dropped down the rabbit hole of research into alternative photographic processes. Shocked at my ignorance relating to silver extraction for the photographic industry, I am discovering ‘kitchen compounds’ and botanical processes that promise to be an alternative method of image production.
Pest or Passion? I’ve had both reactions to the humble blackberry. But never would I have thought it could lead me down an interesting path of discovery about alternative photographic practices. Yet I now find myself regarding this plant with new eyes.
I never wanted to be a teacher as I was considered a ‘disruptive’ student even in primary school. So holding a workshop is really a ‘once in a blue moon’ event for me. Yet I did hold one this week as part of my mini artist residency in Mornington, Victoria. I learnt so much from the participants’ creative experiments that I have discovered new techniques for making cyanotype prints.
What is it like to be addicted? I’m worried that my brain cells are permanently affected. A short attention span and an insatiable appetitive for more. My phone has me in thrall. It’s in my pocket and its calling out to me, come and watch my Reels. Come and loose yourself in my stories. What to do?
Have you ever felt your ideas have sprung from ‘out of the blue’? Yet the colours, processes and themes which have caught your interest along the way have all pointed you in your current direction. That is what I have discovered about my abiding love for the colour blue and the joy of cyanotype printmaking.
You don’t always have to ‘think big’. There is a move back to sustainable and small, like tiny houses that use less space and resources. So too with art, small is making a comeback with so many end of year exhibitions asking for artworks less than 30cm . It’s a great way to make art affordable and accessible for buyers and especially requiring less time and outlay for artists.
