All in Photography
We are taught to reach for perfection, yet that sets us up for failure every time. Printmaking in any form has a strong ‘perfection’ element and to make blurry prints which messy edges is not considered to be technically correct. Yet what if you reframe that idea to turn seeming failures into successes. Perhaps it is a truer reflection of living life in all its messiness.
When one image is not enough to tell a story, then artist books are a great way to combine pictures with text. I have been wanting to find a way to show pain through its relief and have started planning the structure for an artist book. How the materials and narrative work together is an exciting journey of discovery.
Its a challenge of our times to find peace when all around descends into chaos. I have been repurposing circles of paper I made during the pandemic when we were all forced to stay within our homes. These circles became cyanotypes, the blue and white layers become portals of peace.
There's a big difference between stitching paper and stitching cloth. When I'm using cloth, I connect to generations of women who have created their own clothes and 'useful' household items. When I'm stitching paper its all about the story, the art of storytelling with paper and thread.
I love the way patterns can be interpreted in art through repetitive motifs. When printed as cyanotype images, the blue and white designs can be as simple or intricate as the project requires. A bold stencilled figure traversing a landscape created from cardboard boxes is another way to tell a personal story.
It is an incredibly humbling experience to feel vulnerable and unable to do simple tasks for ourselves. Ordinary activities like washing or cooking can seem impossible, yet there is joy in these routine activities which show we are alive and able to look after our own needs.
When you’ve got the blues - the best remedy is to make something. Deep blue cyanotypes are somewhat melancholic, but playing around with some unresolved cyanotype artworks suggested new creative possibilities. Something new from something old, one way to beat the blues.
I have always thought of site specific art as part of an external landscape, something ‘outside’. This changed when I started making art on flattened out cardboard boxes from things I had eaten, drunk or ingested. Adding actual coffee and wine to the mix has yielded surprising results.
Every time I get nervous or feel under pressure to perform, I remember to let the work develop itself, to find its own story that needs to be told. This is what happened when my photograph of two chimneys became a metaphor for dispossession in a series of artworks devised at my artist residency.
Stone Circles, houses of stone and hills of ancient rock form a narrative of time, place and human interaction with this animate landscape in the Outer Hebrides. They are the beginning of my Stone Stories project.
