When you are so busy trying to prove yourself to the world at large (or maybe yourself) you can feel like you have to keep pushing yourself, striving all the time to reach more and more milestones. It’s exhausting. That’s where pretending can lead to practising. It’s all in the framing.
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A blooming flower inspired by Emily Dickinson’s poem Bloom
I continually ask myself about the relevance of art and creativity. Is art relevant and why? I have been trying to understand the nature of duality and finding hope when we witness war. How do we navigate conflict? What role does art in its many forms play in creating the future and changing perceptions?
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Oh what a year!
I have spent the past five years pushing myself to my limits, learning, exploring life as a entrepreneur, creating art and returning to writing again. At the end of 2023 I have emerged stronger in my art practice, knowing that living as an artist means embracing all of who you are. The only thing constant is change.
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Published! The thrill of opening the package with my books in print.
Self publishing is a fantastic way to create a printed catalogue of your art project. The images in a book retain the essence of place, the sounds heard and smells experienced there as well as a document of art created ‘on site’. Books can become ambassadors of your work, able to travel and represent you when you can’t be there yourself.
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Video still at Mooball Creek estuary, Pottsville with a drawing on paper.
The old self doubt can creep into your thoughts when you are about to do something a bit scary, a bit out there, or wild and ambitious. It can completely derail all your plans and decisions. I call it “the wobbles”. It’s good to be prepared so you can know what to do when they strike.
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Map inspiration, bridge over Mooball Creek, Pottsville
Doing a small art piece everyday helps you feel ‘in the flow’. It’s like exercise or music, you need to practise to have a practice. I discovered how rusty I was at making an image using simple drawing techniques. Time to get serious with a daily practice again to regain confidence.
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Eucalypt (detail) Charcoal, pencil, rust marks and rain on handmade paper
Can art become art activism? Is the pen or brush or song mightier than the implements of destruction? How can we build activism into our art? Sometimes it is the subjects we focus on that show their value through a currency of care.
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Mangrove drawing - charcoal and Derwent Inktense pencil on paper
My new drawing experiments I’ve been doing in the wetlands around my house have been totally liberating. I don’t try to draw what I see, I let what I see draw itself. It’s a collaborative process that embraces imperfection. In my books that’s achieving success.
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Pottsville wetland: shadow drawing
Collaborating with the elements is a great way to make art. Watermarks and shadows, mud and sand all leave patterns that are unique and of the moment. Letting go of control of your images means that the other than human elements can take part in your image making. It all becomes easy and effortless!
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Waterlilies in one of the lagoons in Boorum wetland, Pottsville Waters
What is your art process? Maybe process becomes the art. It’s what I have been experimenting with as I explore ways to capture the beauty of the Pottsville environment. Making marks with and in the environment is a new direction to explore for my final Masters Arts and Place project.
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