All in climate crisis
We can look to myths to help solve today’s problems. The Greenlandic figure of Sassuma Arnaa, the Mother of the Sea enshrines good practice for sustainable living. The 2022 UN Ocean Conference is endeavouring to do the same. On the agenda is a Universal Declaration of Ocean Rights. We have less than thirty years to get this right.
The ice is leaving and fast. Getting up close and personal with a 250,000 year old glacier is an awe inspiring experience. Saying goodbye to a fast receding icesheet leaves me in deep grief about the future of Greenland and the world.
In an Icelandic town known for its postcard beauty, trouble looms ahead. Still reeling from an avalanche nearly 18 months ago, the small town of Seydisfjördur is about to have industrial fish farms in the fjord. Locals are up in arms and the arty community is rallying.
It is surprising what art you make when asked to express your emotions, starting with anger. I hadn’t realised how angry I am with a government that denies climate crisis. My art started with bushfires and floods and ended with the happiness I felt being in this Hebridean landscape.
How do you express your stories, and how do you document your daily life, the personal and social times in which you live? If you look at the great writers and artists, their work was a product of the times. Documenting an I Was Here moment is in the patchwork squares of Victorian artist Nicole Kemp’s Covid Quilt, a visual story of 2020.
So this is (nearly) Christmas)and everywhere we look there is chaos and disaster. How to hang onto hope in the these tumultuous times? Make art like there’s no tomorrow.
