All tagged artist residencies

Cornish Reflections

The annual raft race at Porthleven harbour was a great finish to my time in Cornwall where I could reflect on my last artist residency in the UK. Now my challenge will be to return to Australia to bring this experience into my final project to complete the Masters Arts & Place program.

Documenting Process

It’s so important to document not only your finished work, but also the process of its creation. This means you exhibit your final findings as strong images, yet the process of how you came to make them, your ‘compost’ of ideas and creative process is a valuable part of the work as well and should be valued as such.

Rainstones

Trying something new can extend your world view. From creating a ceramic stone and holding it in my hand, to linking this with US President John F Kennedy’s often quoted line “Ask not what your country can do for you – ask what you can do for your country.”

Iceland's Stone artist

It’s easy to get lost in the big picture, the huge landscape and forget the details, That’s when I find it's necessary to pull focus. Which is what I did by visiting Petra’s stone collection, the inspirational garden of Iceland’s most famous stone collector, naturalist and stone artist.

First Marks

You can never un-know what you know. In the midst of extraordinary beauty at my artist residency at Cove Park, I discover that just over the peninsular is the UK’s largest nuclear submarine facility. It is almost as if, in the midst of beauty, we need to scar the landscape in the most spectacularly catastrophic way. How to make art to reflect this?

Trusting the Process

Every time I get nervous or feel under pressure to perform, I remember to let the work develop itself, to find its own story that needs to be told. This is what happened when my photograph of two chimneys became a metaphor for dispossession in a series of artworks devised at my artist residency.

Residencies: Part Three

The first part of any residency is always reconnaissance, getting to know the lie of the land. Much of the work is site-specific, responding to the new environment with your own ways of creating. Ideas emerge as you walk the landscape. Lots of photos, sketches and writing. As I write, I right my path and find my way forward.

Residencies: Part One

How do you apply for an artist residency and how do you prepare to go to one? There are three key components in each application process that I use when writing my submissions. You need to articulate what you do, why you do it and how it fits the application criteria.

Abstracted

What happens when you make a quantum leap? Your artwork conceptually ‘jumps’ and you move into a whole new method of creating. Making these leaps means you draw deep from the hidden parts of your imagination which are waiting to be released.

Inhabiting Space

How do we inhabit a space, occupying it with traces of our own existence in place and time? It’s an interesting question to ponder as I consider occupancy with my upcoming exhibition Occupy and resuming an artist residency in the Blue mountains. What traces of my own life and occupancy will I leave behind?