View of the lower part of Ben Nevis through the rain spattered window
Why do people climb mountains? Is it because “they’re there?” In Scotland there is a tradition of ‘bagging a Munro’, climbing one of the mountains over 3,000 feet. My idea of climbing and bagging is a bit different….
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Watching the shore disappear
Bodies of water and their crossing will always fill me with the siren call of adventure. The anticipation of exploration and (self) discovery are strong allures so I headed out to the small island of Lismore on my own kind of pilgrimage.
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Balancing Act (detail) digital collage 2023
When creativity is flowing you feel alive and vital. But there are fallow periods in any artist’s life, and that is when you need to nurture yourself and build a scaffolding to support you as you revitalise your artistic practice.
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One of Megan (Margaret) Watts Hughes voice paintings on an A4 size glass plate I photographed on the light box. With thanks to Carfarthfa Castle Museum and Art Gallery.
A treasure hunt for sound vibrational art led me to Cyfarthfa Castle Museum and Art Gallery in southern Wales to view the works of Megan (Margaret) Watts Hughes. Her extraordinary pictures were created by singing into paint on a glass plate, revealing what the artist believed was the invisible “voice of God”.
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Bibury camping site in the Cotswolds
Sometimes it takes radical trust to believe that things will work out OK. After last minute repairs to the van, we are back on the road travelling through the Cotswolds and encountering more of the Roman history of Britain.
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Feet First Iffley campaign wall.
It’s so important to document not only your finished work, but also the process of its creation. This means you exhibit your final findings as strong images, yet the process of how you came to make them, your ‘compost’ of ideas and creative process is a valuable part of the work as well and should be valued as such.
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Putting two folded paper sculptures together
Creating sculptural book structures was a challenge I set myself this weekend. I have been influenced by observing the new and proposed housing developments in the city and how to portray the tension between housing and green spaces.
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Piet Mondrian’s exploration of space and neo-plasticism as a stage set model, Tate Modern.
Art is never created in a vacuum. It is always a product of its time, taking its influences from politics, society and the artist’s experiences of life. Art challenges and disrupts, it expands our thinking as I discovered this week at the Tate Modern in London.
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A beanie and socks for yoga, but the sun is shining!
Stretching yourself is important in art as it is in life. What is also important is to acknowledge and celebrate each milestone, big or small. Like finishing a project or even touching my nose with my knee!
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Field notes in preparation for exposing a cyanotype
I have always been drawn to travellers’ tales, both adventure travel tales as well as stories of the Roma people and travellers who were once a common sight camped in the English countryside. Thinking about travelling and finding shelter these past two weeks has led me to experiment with cyanotype prints out in the field with what materials I had to hand.
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