All tagged artist books
I often get stuck when I’m trying to title my artworks. Sometimes you have to wait for the title to present itself, with often surprising results. Marking Time is a mini artist book which needed to take its own time to reveal its title and what it really is about.
How do we respond to accelerated change?. Everywhere we look the world is in a state of flux. This can bring on great anxiety or it can be seen as a time for new possibilities to emerge. As artists we can search for the seeds of renewal within the chaos all around. What we think is fixed and immobile is often only one state of being. Even the stones on mountains and the trees themselves move.
Perseverance is not necessarily a quality you would think you need when it comes to being creative. Yet finding little creative ‘hacks’ can help keep your enthusiasm buoyant and your art alive through all the messy ups and downs of the creative process.
When you’re not sure what path to take, that middle of the night insomnia can yield some ‘eureka’ moments. Such as revealing the solution to what art to create during my Art 4 Takayna residency in Tasmania over Easter.
What happens in the polar regions affects us worldwide. I was reminded of this when stitching the words in my scroll artist book, from ice crack to melt and flood. Having narrowly avoided flooding from the recent cyclone event, this scroll book is a narrative of our climate crisis and its impact.
When systems fall into chaos, it’s time to get creative and start imaginative mapping. Creating a visual representation of how you want life to look helps bring that future into reality. Chaos and entropy are natural parts of systems under pressure and from them can emerge new order and stability. Hold that thought!!!
We are taught to reach for perfection, yet that sets us up for failure every time. Printmaking in any form has a strong ‘perfection’ element and to make blurry prints which messy edges is not considered to be technically correct. Yet what if you reframe that idea to turn seeming failures into successes. Perhaps it is a truer reflection of living life in all its messiness.
When one image is not enough to tell a story, then artist books are a great way to combine pictures with text. I have been wanting to find a way to show pain through its relief and have started planning the structure for an artist book. How the materials and narrative work together is an exciting journey of discovery.
There are so many things you could make, it can be hard to know where to start. I’ve been making blank notebooks using up old prints that I folded to become the little book covers. Creating these notebooks has put me back into ‘maker mode’. What will go inside them? The possibilities are endless.
Creating sculptural book structures was a challenge I set myself this weekend. I have been influenced by observing the new and proposed housing developments in the city and how to portray the tension between housing and green spaces.
Being gifted Gaelic titles for some of my artworks while in Scotland has given me the key to a map of landscape. My accordion fold artist book Pilgrim Stranger with its Gaelic name Coigrich Taistealach has unlocked this landscape as a place of mystery which I have entered as a pilgrim.
A little bit wonky is a good thing in art, it frees you from perfectionism. When it comes to repurposing old artworks, the courage it takes to tear up or paint over the old, is worth it. Old and boring transforms into wild, wonky and unique.
There’s so much been written about love in poems, songs, letters and books. Classic romances and cheap romantic paperbacks, they all have a place in fiction. And why not? It’s a day for silly love songs and picking flowers.
Travel is a “virus of restlessness” writes American author John Steinbeck. This year I have started making artist books again as a way to relive my travels when we can’t travel anymore. Reading Steinbeck reminds me that the urge to be somewhere else can be found by reading a book - or making one.
What happens when a group of artists arrive in a small Icelandic town every month. New ideas, community projects and an influx of creative spirits converge to nourish and grow at NES, this remote artist residency in Skagastönd.
Maintaining artistic momentum through a daily arts practice.
Reflecting on doors, entrances and exits, endings and new beginnings.
A workshop of mini artist books gave participants the opportunity to interweave visual sounds to create their own paper dance.
The work we do. I’ve been thinking of that today as I wove strips of photocopied posters advertising the silk industry which dominated the Cévennes up until fifty or so years ago.
