Artist Residencies
The outer cloth and silk lining ready to sew a sachet - I dyed these cloths while at Dartington this year.
Much of art research is collecting information or data, then conceptualising how this can be creatively expressed. Collecting data about the weather has become a rich source of inspiration in the Western Highlands for over a hundred years. I’m carrying it forward…
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View of the lower part of Ben Nevis through the rain spattered window
Why do people climb mountains? Is it because “they’re there?” In Scotland there is a tradition of ‘bagging a Munro’, climbing one of the mountains over 3,000 feet. My idea of climbing and bagging is a bit different….
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Watching the shore disappear
Bodies of water and their crossing will always fill me with the siren call of adventure. The anticipation of exploration and (self) discovery are strong allures so I headed out to the small island of Lismore on my own kind of pilgrimage.
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Bibury camping site in the Cotswolds
Sometimes it takes radical trust to believe that things will work out OK. After last minute repairs to the van, we are back on the road travelling through the Cotswolds and encountering more of the Roman history of Britain.
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Feet First Iffley campaign wall.
It’s so important to document not only your finished work, but also the process of its creation. This means you exhibit your final findings as strong images, yet the process of how you came to make them, your ‘compost’ of ideas and creative process is a valuable part of the work as well and should be valued as such.
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Field notes in preparation for exposing a cyanotype
I have always been drawn to travellers’ tales, both adventure travel tales as well as stories of the Roma people and travellers who were once a common sight camped in the English countryside. Thinking about travelling and finding shelter these past two weeks has led me to experiment with cyanotype prints out in the field with what materials I had to hand.
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Everything feels better with a cup of tea. View inside Figaro, our motorhome.
Learning new things is exciting. But it can also be really, really challenging. The first days of mastering life on the road in a motorhome have been eventful in the extreme. It’s been a crash course of leaning, with plenty more adventures to come.
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Boats in Yamba marina
The call to adventure is strong in me as I succumb to weeks of restlessness, like the Sea Rat in The Wind in the Willows. Taking any kind of journey, creating movement of one kind or another, changes the energy, exhorting us to become wayfarers all.
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Two experimental collaged cards which led me into my Stitch in Time daily collages in 2010. I still like the red & black limited palette.
It takes courage to follow that path less taken when the ‘crazy restlessness’ of creative adventure takes hold. Rather than throwing out your early artworks as ‘ugly ducklings’ they can be viewed instead as creative ‘markers’, leading you on a journey of discovery.
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Standing in front of our new motorhome in Mansfield, UK.
This week I listened to my inner voice, booked a ticket to London Heathrow, caught a train to Mansfield in Nottinghamshire and bought a motorhome. Some people thought I was mad to do such a wild thing, but there were others who encouraged me to keep going, so I did.
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